![]() #Pantone color converter to cmyk plus#In practise however such color conversion tables are not typically needed because Adobe apps come with plus based PANTONE libraries that are based on Lab values, so when colors are picked from these libraries and then converted to e.g. I prefer Adobe-based LAB to CMYK profile conversions, but because the values differ depending on apps and the production method, it is important to agree on replacling color values to be used and probably use direct CMYK values consistently (whenever the print conditions do not change). ![]() PANTONE Color Manager or Color Connect (using a specific profile and lighting) they can deviate from Lab to CMYK based profile conversions. You should generally not trust any conversions provided on the Internet as they typically ignore the color profiles (or are based on ones not explicitly stated).Īs for "official" CMYK conversions provided by e.g. Adobe apps (and close to color values provided by PANTONE tools). If you can get the (Pantone defined) Lab values and then convert them to CMYK (using the appropriate target CMYK profile and export method), you can get similar results than designers using e.g. If the PANTONE color you are using is off the sRGB gamut, its CMYK conversion will be affected accordingly so that the color that could still be represented reasonably well in CMYK, is unnecessarily narrowed by first limiting the gamut to sRGB (CMYK can produce colors especially in cyan and green areas that cannot be described in sRGB). ![]() The problem with Affinity PANTONE spot color palettes (Solid Coated and Uncoated) is that they are sRGB based. ![]()
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